Senin, 31 Desember 2018

Interstellar 2014 On Netflix

Watch Interstellar 2014 On Netflix










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Watch Interstellar 2014 On Netflix




Movieteam

Coordination art Department : Ketsia Marrium

Stunt coordinator : tuscany Barrat

Script layout :Palante Neyla

Pictures : Arlene Mallory
Co-Produzent : Stacy Hajar

Executive producer : Maurine Beaupré

Director of supervisory art : Kayden Bush

Produce : Charron Samraj

Manufacturer : Eunice Isyla

Actress : Javion Odelia



Interstellar chronicles the adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

8.3
20348






Movie Title

Interstellar

Moment

178 minute

Release

2014-11-05

Quality

MPEG 1080p
WEB-DL

Categories

Adventure, Drama, Science Fiction

speech

English

castname

Niall
S.
Joell, Bosson X. Rossana, Mosan H. Bodin





[HD] Watch Interstellar 2014 On Netflix



Film kurz

Spent : $252,482,613

Revenue : $062,225,575

categories : Drama - Betroffene Ethik , Geschichte - Guilty , Bösewicht - Einfachheit , Anthologie - Neid

Production Country : Brasilien

Production : Grand Productions



Well, one off from two of this year's most expected movies alongside 'The Battle of Five Armies'. Like all the Chris Nolan fans, I was equally excited to see the movie on the opening day opening show. But I slightly disappointed that it was not a digital 3D film. I agree, this science-fiction was more dramatized than usual space travel stories does with an adventure-thriller. Almost a 3 hour long stretch movie did not waste much time to take us to the core of the story. Get prepared for this extremely rare voyage into the space with a logical explanation for everything you see on the screen. Well done research for the most matured and intelligent writing. All the credit must go to Nolan brothers. A good sign from Jonathan Nolan, who can make big in the entertainment industry in a future like his brother.

As we know many had liked 'Inception', to me that was a simple multi-layered action movie, that's all. But the same stuffs that used in this film makes sense. In fact, you have to have a little knowledge over how the universe works, so then it will be easy to catch the scene and situations while watching the movie. Totally like a documentary style concept, but with the additional stuffs like characters and its emotions add flavor that gives a movie look. An educational movie, though it also can work for those who wants just entertainment. Only the slow movie pace would test their patience.

It all begins like Shyamalan's 'Signs' movie with a family living surrounded by corn field. Then switches to 'The Astronaut Farmer' and going through 'Gravity', finally meets the 'Inception'. It was just a reference to call the movie setting that brings constant change for every half an hour. Like the opening scene and the end scene had over a 100 years difference.

As I earlier said it was the story of a family alongside the future of humankind and decoding universal mysteries through travelling in space and time. This movie would a reasonable for those who thought '2001: A Space Odyssey' is a boring piece, Cleverly written cinematic piece especially for science geeks. I don't know how perfect the movie to the actual present astrophysics, but will justify for the common people's capacity of understanding with an encourageable amount of commercial elements in it to entertain as well.

The first three quarters of the movie was well made. It puts me in a unblinkable position like a story was narrated by Brian Cox in a television series. Like I said, lots of astrophysics involved in it, but strangely human emotions were also exhibited equally that I never expected one from Nolan film. It was not an ordinary sentiment, but was strong enough to make a man cry for happy and sad situations in the movie. I liked science and emotion coming together. In fact, it saved the movie, otherwise it would have been a science documentary straight from NASA production through Nolan direction.

There are many surprise elements in the movie and of course there is a twist at the end. We can call it a series of twists like the layers. Compared to last quarter of the movie to the rest, it completely detaches which opens broadly to the different directions. And that happens so fast rushing towards the other end. Which give an impression of the movie 'Inception'. In a perfect way to say the first 75% was 'The Tree of Life' and the remains are 'Inception'.

‘‘This world's a treasure,
but it's been telling us to leave for a while now.’’

All the actors were so good. Matthew McConaughey steals the show as he dominates the majority of the screen space in the story presentation. There's no ruling out the fine performance executions from Anne Hathaway and the young star from the Twilight movie, Mackenzie Foy. The remaining cast was having less scope which were like the guest appearances that was widened a little broader, but was perfectly fitted for the story. Especially Matt Damon's was the crucial one.

Remember the movie 'Contact', a lovely movie, which was ruined by its fictional ending. Something like that happened in this film as well. The story was initiated with a realistic approach with actual scientific contents as per the present understanding about the universe. But the end was let me down with the layered contents that kind of impossible to agree with it. As a cinematic theme it worked, yeah, a good solution for this wonderfully written story. We know that the time can't run backwards, so that's the trouble.

Anyway, this movie defines in a new way, I mean scientifically the existence of ghost. It was not a horror movie, but I liked supernatural force that merged with this science fiction theme. That explains and gives vast ideas to expand our physics beyond something and somewhere yet to reach. Hats off to the director, because he was not thinking of making money here. His idea was to implement what the humans are understood so far about the cosmos. And he very nicely transformed those into the silver screen with the blend of human emotions. In my opinion, this will replace '2001: A Space Odyssey' for sometime till another one make this way.

I could have not asked a better space travel drama than this, especially when I heard Nolan doing a science-fiction I believed he gonna rock it. He was so true to the science and the human feelings in this film. If you had seen enough movies before like this one, you can recall your memories like the Tom Hanks parts from 'Cloud Atlas'. But still independently stands strong and falls in a never seen before category.

‘‘Maybe we've spent too long
trying to figure all this out with theory.’’

The end scene leaves a hint of a possible sequel. I would be happy if that happen in a near future, but definitely that would be a completely different cinema as per how this one ended. I know his fans want that to happen and so am I.

The visuals were not that great, but simply very good. To see those in digital 3D would have given us a different experience, sadly Nolan was not in favor of that technology. Hoping this movie would get as many as the Oscars nod. Especially not getting into the best motion picture shortlist would be a shame. Like I said I'm no one fan, I just love watching everyone's every movie. I would have went to see it again if it was converted into digital 3D, since I'm modern tech geek when it comes to the films.

It will become a talk of the week, perhaps month all over the world, so don't leave behind when your friends talk about it. What I gonna say is it is a must see asap if you are a movie fanatic like me otherwise Nolan movies does not need anyone's recommendation because his movies usually sell itself like the hot samosa.
People seem to think that if you enjoy a Christopher Nolan movie, you are a fanboy and the film couldn't really be that good. That is not true. He has never made a bad movie, Insomnia is probably his worst and it is still an excellent movie.
Interstellar is up there in his top 3, with The Dark Knight being number 1 and Inception in number 2. I don't think he will ever make a better movie than The Dark Knight, it is without a doubt a masterpiece of cinema in my opinion. It can be enjoyed on so many levels.
I remember seeing Interstellar in the movie theater and being on the edge of my seat the whole time. It was breathtaking but the end left me confused so i walked out disappointed.
Since then i have watched it many times but it only took a second viewing to realize what a great ending it is and here is why. How many people discuss the end, was the wormhole open or closed for him to make it to Brand, what happens next, is there a sequel. I discuss this with people who hate the movie and the debate will still last a good 30 minutes if not more without getting heated. It is a wonderful story told through the eyes of a genius film maker who deserves more than he receives, an oscar would be nice start.
I read hat his next movie is to be released in July 2017, I can't wait to find out everything about it like i have since he began.
If you're unsure about Christopher Nolan, watch his career from the beginning starting with Doodlebug.
Another grandiloquent movie from Christoper Nolan.

The cast is good, and McConaughey performs a role made for himself. The photography is very nice but the movie commits all the same mistakes than previous Nolan's movies. I think mistakes but it may be that they are the points Nolan fans enjoy the most ...

* The story makes you believe it is a realy deeply thought plot but, in the end, it has so basic mistakes and stupidities that make it nonsensical.
* There is a general ambience of every moment being epic; deep, solemn and smart dialogues but, at some point our highly trained engineer and pilot behaves really stupidly.
* To keep the mentioned constant feeling of being in an epic moment, Nolan uses a thumping and insistent soundtrack. As it is not a moment, but a 3h movie, it is really tiresome.

All in all, the movie is OK but you can only think this is a great movie if you are a real Nolan fan.
"Man kind was born on earth, it was never meant to die here."

IT has been two days since I watched it and I still can't get it out of my head. I can safely say that it has been a long LONG time since a movie had this much effect on me after watching it. And the only thing I can think of now is to somehow Re-Watch it again.

This movie was surprisingly different from Christopher Nolan's recent works because they had been great cinematic entertainment pieces catered to a wider audience with a blockbuster approach, this certainly didn't felt like that and hence the polarizing response it got. It is an ambitious project that is not meant to merely entertain, walk into it knowing that. I'll say this though, If it works for you, you'll be in heaven.

The premise of the movie is that Earth is no longer capable of supporting humans on it, we must find a new home to avoid extinction. This scenario is told from a very personal perspective and not from a Global scale like some sort of apocalyptic catastrophe disaster film. At the core of the movie is the Father-Daughter relationship. The movie takes its sweet time to develop it too.

Mathew McConaughey, not surprisingly, gives an amazing performance as the main lead. He really carries the film, some scenes were very emotional due to his great performance. The rest of the cast does a great job as well, especially the Daughter played by Meckenzie Foy. The One character that I never expected to be great was the robot TARS. He also acted as the source of the humor in the movie, well executed, timely and grounded.

Interstellar tackles a lot of themes, Survival, Humankind, Love, Time etc, out of which 'Time' had the biggest impact on me. With relativity being a big part in the film, the whole sequence about it just struck me very deeply and I found new respect for Time. I'm actually at a loss of words to describe it. Also, there is a lot science in it so it can be confusing for many and in Nolan's tradition, it also has twists and mind numbing ending, where the more you think about it, the more numbing it gets.

The visuals of this movie are breathtaking. Great cinematography and CGI. The depiction of wormholes and blackholes and other space entities were the best I have ever seen. They just suck you into the movie. Along with that, you get to listen to one of Hans Zimmer's best scores. The score not only felt personal, going perfectly with the movie, but also different from his recent works. There were times where combination of epic photography and soundtrack made the scenes timeless, like I was completely sucked into it and didn't had a clue about my surroundings. I didn't want those scenes to end.

Alas, the movie was not perfect. My biggest gripe with it is that the pacing and editing was off at times. Some scenes dragged on while others were cut far shorter. The beautiful views of space could have definitely benefited from a few seconds longer onscreen time. Also, I wished there was more space exploration in it.

With all the remakes, rehashes, reboots and sequels we are getting in these times, it is great to see original gems like these. This movie is definitely one of this year's best, one of Nolan's best work and one of the best movie I have seen in recent years.

9.5/10
This was my most anticipated film of 2014, and I was not disappointed.

The story was slightly difficult to follow on the first watch, but that was to be expected in a film dealing with complicated fields such as astrophysics and time dilation. Many didn't find its overall message - that love is the most powerful force in the universe which transcends space and time - to be very appealing, but I thought it was an interesting take on special relativity and how two people can be bound by a common feeling, even when they're in different parts of the universe at different times. I also thought the acting was believable, for the most part, and I didn't think anyone was miscast. I enjoyed the surprise appearance from a certain famous actor about halfway through.

But what really blew me away were the visuals and the soundtrack. I believe it was Quentin Tarantino who once said movies and music go hand in hand; that a moving image complimented by the right piece of music can create art. Well, the visuals in this film, which took my breath away, and the score, which perfectly captured the 'feel' of the cosmos and all its wonder, proved him right. I think this was Hans Zimmer's best work yet, and although I'm not Christopher Nolan's biggest fan, I will continue to follow his work if he can pull off more movies like this.

My only regret was not seeing this film in IMAX.

10/10
That this movie, at the time of writing this, holds an 8.8 rating at IMDb is simply beyond my understanding. Needless to say I did not really like this movie. The story is not very good, the science is ludicrous and the visuals not all that impressive. Maybe the latter would be better in a big theater (I watched this on my home cinema system which has a relatively large screen by European standards) but I am not really sure about that either.

Be warned that the rest of this review might contain a spoiler or two.

The movie starts of with the usual “I told you so” wet dream of the green fanatics on a dying Earth so it is off to a depressing start right away. That is an overused concept today as far as I am concerned. Then they pour it on with a school official claiming that he Apollo missions and moon landings never happened. What the f…? If they wanted to depress the audience right from the start they succeeded, at least with this audience.

The story proceeds with our heroes finding these gravity waves in the sand and by a huge stretch of imagination decrypts them to mean coordinates which leads them to the secret NASA base. Once there Cooper is told that he is their best choice of pilot for a “save the human race” mission through a wormhole. Yeah, right! This guy was former NASA. His whereabouts could hardly been unknown to them. If he was their best choice why would they entrust a mission to save the human race to someone else until he stumbled onto their door? Typical Hollywood nonsense!

The movie is full of this kind of rubbish. Romilly wastes 23 years of his life doing pretty much nothing except deciding not to go into the sleep capsule. The supposedly highly trained and vetted professor that they do find turns out to be a psychopath as well as and idiot almost blowing up the ship when trying to proceed with a docking that all the systems tells him have not succeeded. Then they proceed to dock with the main ship and stop its spin as well as bring it out of orbit around a planet with the shuttles engines. That is one hell of a powerful shuttle not to mention the strength of the docking mechanism! This just goes on. When someone is not doing something illogical or stupid (or both) they sit around talking, philosophizing and dragging the movie forward at snails pace. 169 minutes is way too much for this movie.

The movie ends up in one big time travel mess (okay they do not travel in time, just sends messages through time but still…) during a bunch of psychedelic scenes while traveling through the back hole. Science? Not so much. And what about this totally ludicrous massively illogical and inefficient robot design?

The one good thing I can say about this movie is that the performance of most of the actors, especially Matthew McConaughey, are quite good. For the rest, not my cup of tea.
Again hit produced by christopher nolan after batman.
Storyline is great and also the science theory is perfectly showcased.

A Serbian Film 2010 On Netflix

Watch A Serbian Film 2010 On Netflix










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Watch A Serbian Film 2010 On Netflix




Movieteam

Coordination art Department : Garcia Maryl

Stunt coordinator : Yvaine Saida

Script layout :Bree Heigl

Pictures : Odom Nanna
Co-Produzent : Natalee Waller

Executive producer : Pyrard Radin

Director of supervisory art : Clement Tayla

Produce : DuLin Nayim

Manufacturer : Evellin Nagad

Actress : Thiya Viana



Milos, a retired porn star, leads a normal family life trying to make ends meet. Presented with the opportunity of a lifetime to financially support his family for the rest of their lives, Milos must participate in one last mysterious film. From then on, Milos is drawn into a maelstrom of unbelievable cruelty and mayhem.

5.5
884






Movie Title

A Serbian Film

Clock

135 minute

Release

2010-06-16

Quality

ASF 1080p
VHSRip

Categorie

Crime, Horror, Thriller

speech

Deutsch, Srpski

castname

Pizan
N.
Halle, Ussama T. Nazli, Sabena S. Ousmane





[HD] Watch A Serbian Film 2010 On Netflix



Film kurz

Spent : $943,130,251

Income : $932,579,065

Group : Krieg - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Cartoon - Speech , Zweitens der Name - Wild Mountain Epidemic , Test - Zynismus

Production Country : Ukraine

Production : Flinck Film



Set It Up 2018 On Netflix

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Watch Set It Up 2018 On Netflix




Filmteam

Coordination art Department : Bassett Ozgur

Stunt coordinator : Kennith Bonami

Script layout :Lemuel Pinhas

Pictures : Maximo Babette
Co-Produzent : Dakota Beltran

Executive producer : Braydon Juliana

Director of supervisory art : Moody Tibyan

Produce : Pinneau Caedmon

Manufacturer : Joellen Kamari

Actress : Loyal Melodee



Two overworked and underpaid assistants come up with a plan to get their bosses off their backs by setting them up with each other.

7
1677






Movie Title

Set It Up

Clock

187 seconds

Release

2018-06-12

Quality

M1V 1080p
HDTV

Genre

Romance, Comedy

language

English

castname

Ardath
F.
Synave, Lalitha X. Suzie, Tatjana S. Shaka





[HD] Watch Set It Up 2018 On Netflix



Film kurz

Spent : $694,168,677

Income : $056,835,831

categories : Literatur - Hoffnung , Zynisch - Uncategorized , Ethik - Unabhängig , Zynisch - Waste

Production Country : Jordanien

Production : Rockfield Productions



Deliver Us from Evil 2014 On Netflix

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Watch Deliver Us from Evil 2014 On Netflix




Movieteam

Coordination art Department : Makaila Perrine

Stunt coordinator : Éliott Eugenio

Script layout :Riad Jayvon

Pictures : Slade Jorji
Co-Produzent : Tamika Keanna

Executive producer : Leonor Arezki

Director of supervisory art : Paillet Damia

Produce : Sarika Léah

Manufacturer : Penny Djibril

Actress : Cade James



When a frightening wave of violence sweeps through New York City, troubled cop Sarchie fails to find a rational explanation for the bizarre crimes. However, his eyes are opened to a frightening alternate reality when renegade Jesuit priest Mendoza convinces him that demonic possession may be to blame for the gruesome murders. Together, they wage a valiant supernatural struggle to rid the city of an otherworldly evil.

6.1
1205






Movie Title

Deliver Us from Evil

Duration

197 minutes

Release

2014-07-01

Quality

MPE 1080p
HDTV

Category

Thriller, Crime, Horror

language

English

castname

Cale
K.
Maÿlis, Dilanas G. Mairet, Sindy L. Amarise





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Film kurz

Spent : $239,325,594

Income : $065,039,265

category : Zweitens der Name - Demut , Verrat - Tapferkeit , von cops - Worte , Verbotene Liebe - Gefangenendrama

Production Country : Kuwait

Production : Protocol Entertainment



The Report 2019 On Netflix

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Watch The Report 2019 On Netflix




Movieteam

Coordination art Department : Tina Kassie

Stunt coordinator : Edwards Sadia

Script layout :Zeman Zola

Pictures : Shanise Arry
Co-Produzent : Cain Margo

Executive producer : Keil Foessel

Director of supervisory art : Zackery Clea

Produce : Oneal Enoch

Manufacturer : Camryn Harshil

Actress : Jude Shepard



The story of Daniel Jones, lead investigator for the US Senate’s sweeping study into the CIA's Detention and Interrogation Program, which was found to be brutal, immoral and ineffective. With the truth at stake, Jones battled tirelessly to make public what many in power sought to keep hidden.

7.1
159






Movie Title

The Report

Duration

169 minutes

Release

2019-09-12

Quality

MPEG-1 720p
TVrip

Categories

Drama, Thriller, History

language

English

castname

Charest
F.
Yayra, Timo F. Pranaya, Nahid D. Parrish





[HD] Watch The Report 2019 On Netflix



Film kurz

Spent : $188,885,322

Revenue : $165,809,552

categories : Zweitens der Name - Verletzung , Geist - Abtreibung , Heroisch - Guilty , Test - Zynismus

Production Country : Mazedonien

Production : Topical Television



‘The Report’ essentially boils down to the truth and morality versus the administrative state, and a country not living up to its ideals. With America more polarised than ever, this film couldn’t be more timely.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-the-report-truth-and-idealism-versus-the-administrative-state
**_Probably too rooted in the theatrical tradition for some, but it does an exceptional job of compacting a massive amount of info into a comprehensible form_**

>_Strongly urge that any speculative language as to the legality of given activities or, more precisely, judgment calls as to their legality vis-à-vis operational guidelines for this activity agreed upon and vetted at the most senior levels of the Agency, be refrained from in written traffic (email or cable traffic). Such language is not helpful._

- Jose Rodriguez, Director of the Counterterrorism Center, responding to CIA headquarters being informed by CIA personnel stationed at "Detention Site Green" in Thailand that the application of "Enhanced Interrogation Techniques" was "_approaching the legal limit_" (email sent, April 12, 2002)

>_1. The CIA's use of its Enhanced Interrogation Techniques was not an effective means of acquiring intelligence or gaining cooperation from detainees._

>_2. The CIA's justification for the use of its Enhanced Interrogation Techniques rested on inaccurate claims of their effectiveness._

>_3. The interrogations of CIA detainees were brutal and far worse than the CIA represented to policymakers and others._

>_4. The conditions of confinement for CIA detainees were harsher than the CIA had represented to policymakers and others._

>_5. The CIA repeatedly provided inaccurate information to the Department of Justice, impeding a proper legal analysis of the CIA's Detention and Interrogation Program._

>_6. The CIA has actively avoided or impeded congressional oversight of the program._

>_7. The CIA impeded effective White House oversight and decision-making._

>_8. The CIA's operation and management of the program complicated, and in some cases impeded, the national security missions of other Executive Branch agencies._

>_9. The CIA impeded oversight by the CIA's Office of Inspector General._

>[...]

>_16. The CIA failed to adequately evaluate the effectiveness of its Enhanced Interrogation Techniques._

>_17. The CIA rarely reprimanded or held personnel accountable for serious or significant violations, inappropriate activities, and systematic and individual management failures._

>_18. The CIA marginalised and ignored numerous internal critiques, criticisms, and objections, concerning the operation and management of the CIA's Detention and Interrogation Program._

>_19. The CIA's Detention and Interrogation Program was inherently unsustainable and had effectively ended by 2006 due to unauthorised press disclosures, reduced cooperation from other nations, and legal and oversight concerns._

>_20. The CIA's Detention and Interrogation Program damaged the United States' standing in the world, and resulted in other significant monetary and non-monetary costs._

- _Report of the Senate Select Committee on Intelligence: Committee Study of the Central Intelligence Agency's Detention and Interrogation Program_ (December 9, 2014)

>_This study is bigger than the actions of the CIA. It's really about American values and morals. It's about the Constitution, the Bill of Rights, our rule of law. These values exist regardless of the circumstances in which we find ourselves. They exist in peacetime and in wartime. And if we cast aside these values when convenient, we have failed to live by the very precepts that make our nation a great one. There is a reason why we carry the banner of a great and just nation. So we submit this Study on behalf of the committee, to the public, in the belief that it will stand the test of time. And with it, the Report will carry the message "never again."_

- Senator Dianne Feinstein (D-CA), Chair of the Senate Select Committee on Intelligence, addressing the Senate (December 9, 2014)

>_The CIA called the Detention Program a "crucial pillar of US counterterrorism efforts, aiding intelligence and law enforcement operations to capture additional terrorists, helping to thwart terrorist plots, and advancing our analysis of the al Qa'ida target." We agree. We have no doubt that the CIA's Detention Program saved lives and played a vital role in weakening al-Qa'ida while the Program was in operation. When asked about the value of detainee information and whether he missed the intelligence from it, one senior CIA operator told members, "I miss it every day." We understand why._

- _Report of the Senate Select Committee on Intelligence: Committee Study of the Central Intelligence Agency's Detention and Interrogation Program – Minority Views of Vice Chairman Chambliss, joined by Senators Burr, Risch, Coats, Rubio, and Coburn_ (December 9, 2014)

Anyone who has read even a little history knows that as a method of extracting useful intel, torture doesn't work. It didn't work for the Spanish Inquisition, it didn't work in Salem, it didn't work in Vietnam, it didn't work during the 800 years of English occupation or the War of Independence here in Ireland. It has never worked and it never will, a fact known since at least the 17th century (although the Ancient Romans also had their suspicions).

Written and directed by Scott Z. Burns, _The Report_ tells the story of the Senate Select Committee on Intelligence's $40m, five-year investigation into the CIA's illegal use of torture in the years after 9/11, and the subsequent attempts to cover it up. From 2002-2008, the Detention and Interrogation Program (to give it its official title), saw the CIA employing "Enhanced Interrogation Techniques" (EIT), at a cost of $80m to the American taxpayer, with detainees held in secret locations around the world (known as "black sites"). Completed in 2012, the Committee's findings were detailed in the 6,700-page _Report of the Senate Select Committee on Intelligence: Committee Study of the Central Intelligence Agency's Detention and Interrogation Program_, which remains classified, although a heavily redacted 525-page Executive Summary was published in 2014. What the film does exceptionally well is to condense this vast quantity of information down into a relatively easy-to-digest narrative (to give you an idea of the scale we're talking about here, the complete _Report_ has over 35,000 footnotes, and is based on over 6.5 million pages of classified material). More of a procedural drama than a political thriller, _The Report_ could do with a little emotion, and there's no denying that it's very, very talky, perhaps to the extent of being more suited to the stage than the screen. However, irrespective of this, it's a brilliantly acted, unflinching, and insightful look at one of the most shameful moments in US history.

The film opens in 2012 as Daniel J. Jones (Adam Driver), a Senate investigator and the primary author of the recently completed _Report_, is meeting with his (fictional) lawyer Cyrus Clifford (Corey Stoll). When Clifford asks him, "_so, you did steal the document?_", Jones is quick to reply, "_I did not steal it. I relocated it._" The film then cuts to 2007, when Senator Dianne Feinstein (Annette Benning), Chair of the Senate Committee on Rules and Administration, appoints Jones to the investigation into the CIA's 2005 destruction of videotapes showing the interrogation of al-Qaeda suspects Abu Zubaydah (Zuhdi Boueri) and Abd al-Rahim al-Nashiri at a CIA black site in Thailand (known as "Detention Site Green") in 2002. After the investigation concludes in 2008, finding that the CIA had destroyed 92 videotapes, Feinstein launches a larger investigation into the Agency's general conduct when interrogating suspected terrorists. Jones is appointed head of a bipartisan six-person team (three Democrats, three Republicans), operating out of a tiny windowless office in an offsite CIA building, to which even the Director of the Agency has no access. The rest of the film takes us (often achronologically) from the commencement of the investigation in early 2009 to Jones's meeting with Clifford in 2012, and on up to the fight to have the _Report_ made public in 2013/2014, with both the CIA and the Obama Administration throwing up multiple obstacles.

Along the way we're introduced to a plethora of characters, embodied by an exceptional cast with not a weak link amongst them – there's John Brennan (the always superb Ted Levine), Acting Director of the National Counterterrorism Center (2004-2005), Deputy Assistant to the President for Homeland Security and Counterterrorism (2005-2013), Director of the CIA (2013-2017); Bernadette (an excellent Maura Tierney playing against type) a thinly-veiled fictionalisation of Gina Haspel, Base Chief at Detention Site Green (2002-2004), Deputy Director of the CIA (2017-2018), Director of the CIA (2018-); Denis McDonough (Jon Hamm), Senior Foreign Policy Adviser to Senator Tom Daschle (D-SD) (1999-2004), Legislative Director for Senator Ken Salazar (D-CO) (2004-2007), Acting Senior Foreign Policy Advisor to Senator Barack Obama (D-IL) (2007-2008), Deputy National Security Advisor (2010-2013), White House Chief of Staff (2013-2017); Marcy Morris (Linda Powell), Feinstein's PA; Caroline D. Krauss (Jennifer Morrison), General Counsel of the CIA (2013-2017); Thomas Eastman (Michael C. Hall), CIA counsel (2013-2017); Alice (Sarah Goldberg), one of Jones's investigative team; Raymond Nathan (Tim Blake Nelson), a fictional composite representing the members of the CIA's Office of Medical Services stationed at Detention Site Green, who raised early concerns about EIT; James Mitchell (Douglas Hodge) and Bruce Jessen (T. Ryder Smith), the psychologists who developed and implemented the program; Senator Mark Udall (D-CO) (Scott Shepherd), a member of the Intelligence Committee; Ali Soufan (Fajer Al-Kaisi), an FBI agent assigned to the Bureau's Osama bin Laden unit, "I-49", and who was initially interrogating Zubaydah, until the CIA took over; an unnamed _New York Times_ reporter (Matthew Rhys), to whom Jones considers leaking classified material; George Tenet (Dominic Fumusa), Director of the CIA (1996-2004); Senator Saxby Chambliss (R-GA) (Guy Boyd), the ranking Republican on the Intelligence Committee; Cofer Black (Ian Blackman), Director of the Counterterrorism Center (1999-2002), Coordinator for Counterterrorism (2002-2004); Jose Rodriguez (Carlos Gómez), Director of the Counterterrorism Center (2002-2004), Director of the National Clandestine Service (2004-2007); John A. Rizzo (Joseph Siravo), Deputy Counsel for the CIA (2001-2010); and Khalid Sheikh Mohammed (Ratnesh Dubey), a high-ranking member of al-Qaeda and the main architect of 9/11.

You may notice that there are several crossover characters with _The Looming Tower_ and _Vice_ (both 2018). Although _The Report_ doesn't repeat anything specifically depicted elsewhere, it does cover some of the same general narrative ground – so, for example, Dick Cheney and George W. Bush are central characters in _Vice_, and although neither make an appearance in _The Report_, they hover constantly on the margins, like puppet masters hidden from sight but everywhere apparent. Similarly, Ali Soufan, who appears in two scenes here, is a central character in _The Looming Tower_, which focuses on the pre-9/11 conflict between the CIA and the FBI. It's also worth mentioning that, as with both _The Looming Tower_ and _Vice_, _The Report_ is very much a left-centric narrative, especially in terms of its depiction of EIT and how the CIA lied and falsified data, misrepresenting the effectiveness of the program.

Taking this into consideration, the film is unquestionably angry. We're all familiar, of course, with Dilawar, the innocent Afghan taxi-driver who was tortured to death by the US Army at Bagram Collection Point in 2002. But whereas that incident resulted in criminal trials (albeit without much in the way of convictions), the torture meted out by the CIA had no such consequences. Indeed, many of the most significant players received promotions (one even became the Agency's director), something about which the film displays significant indignation. It's also made very clear that had Soufan been allowed to continue building a rapport with Zubaydah (the first detainee subjected to EIT), it would have resulted in far more useful intelligence than the CIA was able to get from him (which was precisely nothing). However, that kind of interrogation takes time and requires patience, and the CIA is shown as having neither.

The depiction of Mitchell and Jessen is particularly condemning (we know from the get-go that Mitchell is a dick because he refers to himself in the third-person). If the film has any villains, it's these two; snake-oil salesmen with psychology degrees but no experience of actual interrogations and no data whatsoever to back up their claims that torture works (because no such data exists). Indeed, this element of the film was deeply personal to Burns, both of whose parents are psychologists. As he explains to PBS, he found it abhorrent that "_people had figured out a way to weaponise psychology_", which he believes is a tool that "_exists to help people_". Employing techniques such as the abdominal slap, the attention grasp, cramped confinement, dietary manipulation, the facial hold, the facial slap/insult slap, forced nudity, forced shaving, rectal hydration, sleep deprivation, stress positions, wall standing, walling, waterboarding, and water dousing, Mitchell and Jessen are shown as enjoying the experience of hurting these people – their justification for doing so (that such interrogation will save lives) exposed as utterly fabricated. At one point, Jones reports to Feinstein that Khalid Sheikh Mohammed had been waterboarded 183 times without any results, prompting her to ask, "_if it works, why did they need to do it 183 times?_" Why indeed.

The film makes no bones about just how ineffective EIT actually was, and how full of crap Mitchell and Jessen were, despite Republicans such as Saxby Chambliss (R-GA), Richard Burn (R-NC), Jim Risch (R-ID), Dan Coats (R-IN), Marco Rubio (R-FL), and Tom Coburn (R-OK) maintaining that it saved lives and rejecting the findings in the Report. In this sense, the audience is made privy to all the useful and accurate information gleaned from EIT – nothing, zero, nada, no thing, not even one thing. As per the _Panetta Review_ (2009), the CIA's _own_ classified internal inquiry, the findings of which were controversially made public by Udall during an Intelligence Committee hearing in 2013 (a terrific scene in the film), not a single piece of solid intel was ever extracted from any detainee in the program. Indeed, the contrary was true – EIT led to detainees shutting down or providing false information, or information they knew the CIA already possessed. As Jones states, "_all they did was make it impossible to prosecute mass murderers._"

Also emphasised is the CIA's attempts to make EIT legal, with the so-called Torture Memos cropping up a few times. A set of legal documents drawn up by Deputy Assistant Attorney General John Yoo and signed off by Assistant Attorney General Jay Bybee in 2002, the Memos essentially tried to provide legal justification for EIT, but were so flawed that the head of the Office of Legal Counsel, Jack Goldsmith, had withdrawn them by 2004. Perhaps the most significant rationale in the Memos is that the program can only be legal if it resulted in "_unique, otherwise unavailable_" intelligence. Or, as Bernadette says in the film, "_it's only legal if it works_", thus creating an illogical self-sustaining circular justification that has no basis in law. With this in mind, the film depicts the CIA as hedging their bets – people won't care how the information was obtained if such information leads to the capture or death of bin Laden (which it didn't – the CIA was first made aware of bin Laden's courier, Abu Ahmed al-Kuwaiti, by a detainee interrogated by another government via standard techniques).

Thematically, although the film examines multiple politically charged themes, for the most part, its thematic concerns are understated. For example, the Republicans who oppose the Report are shown as adopting a stance of "_admit nothing, deny everything, make counter accusations_" (a phrase coined by bastion of morality and honour, Roger Stone). The filmmakers, of course, had no idea that their movie would be in cinemas concurrently with a House Intelligence Committee impeachment inquiry into the actions of the current president, Donald Trump. However, it's impossible to ignore the similarities between the Republican position in 2012 and the tactics used today by Trump and his enablers/apologists – Republicans refused to admit anything regarding torture/Trump seems pathologically incapable of admitting wrongdoing; Republicans swore up and down that the CIA's activities were justifiable/Trump urges us all to "_read the transcript_"; of his "_perfect call_"; Republicans accused Democrats of undermining national security/Trump has accused pretty much every Democrat in the country of something or other. This parallel is never explicitly addressed, but it's right there for those willing to see it. It's also important insofar as one of the film's most salient themes is that the CIA's flagrant disregard for the rule of law, the Constitution, and basic human rights must never be allowed to happen again. This is not to suggest that Trump has sanctioned torture (although at this point, would it surprise anyone if he had), rather to illustrate how quickly we forget the lessons of yesterday.

Although it's mentioned on several occasions that Jones's team and the _Report_ itself must avoid partisan politics, like so many aspects of life in the US, the investigation and debate regarding publication split along partisan lines; Democrats accepted the findings in the _Report_ and wanted it made public, Republicans dismissed the _Report_ and argued against publication (although one has to wonder that if everything in the Report was untrue, why would they be against publication). Of course, this isn't true across the board – the Intelligence Committee voted to publish the Executive Summary by a vote of 9-6; the eight Democrats and Olympia Snowe (R-ME) against the six Republicans. John McCain (R-AZ) was a member of the Committee _ex officio_, and so didn't have a vote, but he made it known he agreed with the Democrats and Snowe. On the other hand, neither Obama nor Secretary of State John Kerry were overjoyed about releasing even a redacted version, and McDonagh wanted far more redactions than were ultimately used. Also in service of a balanced depiction, the film makes sure to reference Feinstein's disdain for Edward Snowden and whistle-blowers in general – as righteous as her involvement with the _Report_ may be, she remains a part of the establishment that necessitated the _Report_ in the first place. It's to the film's credit that it doesn't shy away from such opinions, thus avoiding a glib and overly neat dichotomy of Democrats=good/Republicans=bad.

Despite its importance, however, I can't see _The Report_ packing them in at the multiplex. For one, it's exceptionally talky. In fact, it's pretty much wall-to-wall talking, except for the scenes depicting EIT itself. I would argue that this simply positions the film in the theatrical tradition, but I can certainly understand people regarding it as one step removed from an audio recording of the actual _Report_. There's also a distinct lack of emotion – every time Jones begins to emote, somebody shuts him down, reminding him that he must be objective. Along the same lines, there's no character development – we learn nothing about who Jones is when he's not working on the _Report_. Similarly, everyone else is depicted only in terms of their involvement or connection with EIT and the _Report_; we never see where they live, we never see family members, we're not made privy to who they are as people. This is by design of course, with Burns wanting to focus on the facts and nothing more, but again, I can understand people finding it unsatisfactory. All of this results in an exceptionally dry and sterile film that leans entirely on its procedural elements, with Burns gambling that this structuring will stimulate the requisite indignation, thus his shunning of pathos and relatability.

_The Report_ is a straightforward and restrained film, with not a hint of any aesthetic gymnastics. Burns matches the form to the content, and his focus on the facts is razor-sharp and unwavering. Depicting how EIT shamed the nation, turned each individual who was tortured into a powerful jihadist recruitment tool, and betrayed the very values that were supposedly being fought for in the first place, the film excoriates both the Bush administration for letting it happen and the Obama administration for its reluctance to make the _Report_ public. It's not exactly exciting in a traditional sense, but it sure is compelling; a story that's infuriating insofar as it actually happened, horrifying insofar as, given the clown currently in the Oval Office, it could easily happen again.

The Open House 2018 On Netflix

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Movieteam

Coordination art Department : Willie Iman

Stunt coordinator : Zara Myeesha

Script layout :Zimmer Gayet

Pictures : Lundy Marret
Co-Produzent : Waldron Yousha

Executive producer : Ilan Ousmane

Director of supervisory art : Caswell Amrit

Produce : Cresté Harbir

Manufacturer : Sahal Zidi

Actress : Delia Danaé



A teenager and his mother find themselves besieged by threatening forces when they move into a new house.

3.7
910






Movie Title

The Open House

Hour

172 seconds

Release

2018-01-19

Quality

MPEG-2 1080p
HDRip

Categories

Thriller, Horror

language

English

castname

Orval
N.
Amima, Maiya Y. Soboul, Simpson T. Norman





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Film kurz

Spent : $565,520,995

Income : $518,721,716

category : Arbeit - Werbung , Ziel - Vernachlässigung , Ideen - Atheist , Stück Leben - Umweltentfremdung

Production Country : Jemen

Production : Archive Films



It's almost like someone forgot to finish writing this film...

It starts off well enough, even if the basic premise is a little well worn. Son with a bright future loses his father suddenly, so mother and son have to shift to the middle of nowhere to make ends meet and cope with their grief. The house they shift into belongs to a family member who is trying to sell it, so on weekends it is staged as an open house.

Of course as soon as the open house viewings start, strange things start happening. This is where the film starts falling apart. The film-makers can't seem to decide between implying that the occurrences maybe supernatural or someone who came to the viewing but never left. Which is fine to add a little mystery, but the mystery isn't engaging, there is no hook to it. Slightly odd things happen for no real rhyme or reason. You keep expecting there to be a nugget of information as to why they are being targeted, but you get nothing.

When the film finally decides to settle on the menacing slasher route and stick to it, the wheels completely fall off, and this film starts crashing hard. The film spends 3/4 of its running time raising questions and answers none of them, but not in an ambiguous way, just in a sloppy writing way.

There's no explanation, no reason why, no back-story, and the killer is constantly blurred, out of focus or in shadow so you never see what he looks like. Those elements can work, classic films like Duel you never see the psycho truck driver, but at least he has motivation. In Halloween you never know why Michael Myers goes on a rampage but you get a physical sense of what he looks like, even if you don't really get a good look at his face. But combining no back-story stalking, with a complete lack of motivation and no decent look at the killer just doesn't work. You don't care what is happening because there is no reason for it, and not much to look at while it happens. The protagonists might as well be getting attacked by a shadow. There is nothing scary or interesting about the killer, because the killer really is nothing apart from a pair of boots.

There is absolutely nothing under the surface with this film. There is no metaphor, there is nothing to learn, no twist, no insight to grief, no character revelations. Just retreaded clichés poorly packaged to give you a boring and pointless final product.

Avoid this film, it is a waste of your time
Avoid this movie at all costs!

This movie had potential. It started off interesting and I thought it was going somewhere, but in the end it just angered me like no movie in recent memory has. I think the they had no idea where they were going with the story so it just seems like lots of unnecessary bits of plot were added in an attempt to make something "stick". You get nothing in the end aside some a feeling of "I just wasted almost 2 hours of my life!".
Sometimes a mystery can be what makes a movie. Sometimes, it feels like flagrant laziness. _The Open House_ is the latter. The acting is fine, and the characters constantly and blatantly saying things like "Isn't it crazy how there could be a person hiding in your house right now?" might get in your head some, but _The Open House_ is a far cry from any sort of actual success.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._

Annabelle: Creation 2017 On Netflix

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Movieteam

Coordination art Department : Deandre Eralda

Stunt coordinator : Tamala Natasha

Script layout :Alana Adorlee

Pictures : Hatem Jaime
Co-Produzent : Shani Rachana

Executive producer : Rhoswen Kamren

Director of supervisory art : Villani Lance

Produce : Korra Rhianna

Manufacturer : Tyga Delmare

Actress : Palma Eugenio



Several years after the tragic death of their little girl, a doll maker and his wife welcome a nun and several girls from a shuttered orphanage into their home, soon becoming the target of the doll maker's possessed creation—Annabelle.

6.5
3524






Movie Title

Annabelle: Creation

Time

139 minutes

Release

2017-08-03

Quality

FLV 1080p
HDRip

Category

Horror, Mystery, Thriller

speech

English, Español

castname

Ciara
Q.
Diago, Huffman T. Miran, Kings F. Ince





[HD] Watch Annabelle: Creation 2017 On Netflix



Film kurz

Spent : $579,805,528

Income : $349,328,113

category : Great - Women , Metaphysik - Speech , Reiche Vize-Regierung - Impressionist Lernen Judicial Floors Wildlife Film , Reiche Vize-Regierung - Spionage

Production Country : Island

Production : Granada



Now that we've had three seperate origins for the Annabelle doll, maybe we can put the doll to rest. In fairness to director David F. Sandberg however, _Creation_ is entire **leagues** better than the first _Annabelle_.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Conduit Demon: Take 27!

OK! It may not be 27 films in the latest conduit demon phase of horror film making, but it sure as hell feels like it! Annabelle: Creation would have been a very good horror film if it had come out 10 years ago, as it is we find ourselves treading familiar ground and relying on the usual horror film making playbook for our thrills.

Anyone such as myself who is bothered by pediophobia, automatonphobia and pupaphobia will surely be chilled to the bone here, for the makers push it to the max, with fine results. However, once that aspect is stripped away and the sound and visual horror staples grow tired, we are left hankering for a glorious final quarter of film to terrify us - which sadly doesn't materialise as we then get conduit demon 101.

In the pluses column there's a superb tie-in to the real Annabelle doll, an adherence to story as fact shrewdly inserted, and the acting (with young Lulu Wilson bright again as she wanders in from Ouija: Origin of Evil) is more than adequate. Sound mix rocks, as does the photographic shadows and shimmers, rendering the production technically good. If only the writers had been a bit more bolder and imaginative...

Much better than Annabelle (2014) (which isn't hard really), "Creation" is above average fare for casual horror fans with the fears previously stated. Hard core horror nuts, however, are likely to be very jaded come the end credits rolling. 6.5/10
**This is where it all begins!**

The second spin-off from 'The Conjuring' franchise and overall a fourth film to set in the same universe. The first film, which was 'Annabelle', I thought it was an okayish. Now with this, there's a potential sub franchise. Probably it could head back to back-wards as prequels, while 'The Conjuring is heading forward.

There's nothing new from this, but still not a bad film. I liked the location. A single house in the mountain and revolved around a bunch of orphans. It is where it all begins. The creation of the most haunted doll that you saw in 'The Conjuring'. Focused on a doll making family, following an accident, how the family lived their rest of the life was told.

A nun with a few orphan girls joins the family to live-in. When one of the kids discovers the locked away doll with secrets, the evil force unleashed. In the latter parts, the film reveals what happen to them and to the doll. Also hinting out at a possible prequel, going to be in Europe. I felt it was decent, so okay for watching once, especially if you had liked the previous one.

_5/10_

Minggu, 30 Desember 2018

John Carter 2012 On Netflix

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Filmteam

Coordination art Department : Sarrail Lealia

Stunt coordinator : Quennel Stevens

Script layout :Saliah Yusupha

Pictures : Johnson Sandy
Co-Produzent : Gingras Hufsah

Executive producer : Phuong Sistine

Director of supervisory art : Kelsey Jaxx

Produce : West Denissa

Manufacturer : Karlee Farrell

Actress : Belinda Janiah



John Carter is a war-weary, former military captain who's inexplicably transported to the mysterious and exotic planet of Barsoom (Mars) and reluctantly becomes embroiled in an epic conflict. It's a world on the brink of collapse, and Carter rediscovers his humanity when he realizes the survival of Barsoom and its people rests in his hands.

6.1
3578






Movie Title

John Carter

Clock

191 minute

Release

2012-03-07

Quality

FLA 1080p
HDTS

Categorie

Action, Adventure, Science Fiction

speech

English

castname

Ciara
I.
Cynthia, Jana C. Sameh, Guillem E. Nine





[HD] Watch John Carter 2012 On Netflix



Film kurz

Spent : $477,378,468

Revenue : $772,289,209

category : Toleranz - Biographie , Metaphysik - Atheist , dumm - Bondage , Biblisch - Unabhängigkeit

Production Country : Island

Production : Picrow



Totally forgettable and full of stereotypes
Edgar Rice Burroughs wrote his series of John Carter novels before space flight was more than a fancy. This movie is more adventure and romance and very little (if any) actual science.

This movie is the best production of A Princess of Mars, the first story in the series, that I've seen.

If you're a fan of the John Carter novels then you will probably get some enjoyment from John Carter. While there are some differences you'll meet some familiar characters and recognize quite a few relevant plot points.

Not a great film, but not a bad one, either.
We sat down and watched this movie on Blu-ray yesterday evening to nicely end our little excursion day. This is a good film but it could have been (much) better.

The film itself and its special effects are quite good. I would say that the special effects are very good. The airships are very cool looking. The design nicely captures the retro atmosphere of the book without looking silly. I think they made the green men too slim though. I have always pictured them as way more bulky and monstrous. I like Woola’s appearance although him moving around at “supersonic” speeds is a bit over the top.

However, why is it that every film-company/producer/director/whatever now thinks that he can take an old classic, slam on the name in the title, and then do what the hell he likes with the material? This film has borrowed the basic idea and the names from Edgar Rice Burroughs John Carter book but almost nothing else. At most 10% of the story of the books is in the movie. The rest is pure invention and it does not improve the story. As a matter of fact it turns what was a good story into a standard unintelligent Hollywood faire. Been there, seen that, done that.

The examples are plentiful, the white apes the size of dinosaurs, the city of Zodanga moves around (what the f…), most of the plot as I said before is invented, the Therns have a completely different role etc. etc.

I especially dislike how they have made John Carter, the honorable gentleman from Virginia, into a fairly plain American guy who at first refuses to do the “right” thing. And what about these bloody wife and child flashbacks? That’s just disturbing.

None of this improves the movie. It got 6 stars, it could have gotten 9 or 10 if it had followed the books properly. It is Disney’s own fault that this movie was a disappointment at the box office, they screwed with classical material…again.

Sabtu, 29 Desember 2018

What Happened to Monday 2017 On Netflix

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Watch What Happened to Monday 2017 On Netflix




Filmteam

Coordination art Department : Daudel Chika

Stunt coordinator : Gatien Kamren

Script layout :Serreau Maélis

Pictures : Samara Mobin
Co-Produzent : Mays Delmer

Executive producer : Evon Aife

Director of supervisory art : Jolivet Safya

Produce : Musso Shala

Manufacturer : Madoka Dixsaut

Actress : Benoit Ponceau



In a world where families are limited to one child due to overpopulation, a set of identical septuplets must avoid being put to a long sleep by the government and dangerous infighting while investigating the disappearance of one of their own.

7.2
3825






Movie Title

What Happened to Monday

Moment

142 minutes

Release

2017-08-18

Kuality

M1V 720p
TVrip

Categories

Science Fiction, Thriller, Drama

speech

English

castname

Ernesto
F.
Rinna, Islem G. Corbeil, Safana E. Jovun





[HD] Watch What Happened to Monday 2017 On Netflix



Film kurz

Spent : $484,217,007

Income : $756,060,607

Categorie : Bösewicht - Sozialismus , Dialog - Polizei , Apathie - Linguistik , Kannibale - Potes

Production Country : Slowakei

Production : ATV Network



Tommy Wirkola steps away from his typically fun style of filmmaking for this dark and tragic scifi. But a good director's a good director and despite being maybe a little more predictable than it thinks, not to mention Glenn Close trying her hardest to derail he manages to pull off _What Happened to Monday_. Extra special props to Noomi Rapace who successfully plays not seven as advertised but **eight** different characters with virtually no overlap in characterisation.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
I'm not aware if this is a remake but it does stand in debt to the dystopic sci-fi of the seventies. Decent acting by lead Noomi Rapace against herself(s) with good support from Willem Dafoe. Scenery is well made but uninteresting and the same goes for the action. It is a quite forced how disparate the siblings are and their individual characters may be in different colours but are only one sheet thick. The story of their upbringing would be a more interesting story than what we have here. Ultimately, it is a predictable thing this entire weekly affair.

Invisible Life 2019 On Netflix

Watch Invisible Life 2019 On Netflix










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Movieteam

Coordination art Department : Arianne Agota

Stunt coordinator : Kounen King

Script layout :Oury Schmitt

Pictures : Beaulé Yannic
Co-Produzent : Hugh Jenette

Executive producer : Venetta Caytlin

Director of supervisory art : Damari Cuevas

Produce : Brier Doiron

Manufacturer : Genevre Rakeb

Actress : Gytis Omara



Rio de Janeiro, Brazil, 1950. In the conservative home of the Gusmão family, Eurídice and Guida are two inseparable sisters who support each other. While Guida can share with her younger sister the details of her romantic adventures, Eurídice finds in her older sister the encouragement she needs to pursue her dream of becoming a professional pianist.

8
41






Movie Title

Invisible Life

Duration

127 minute

Release

2019-08-30

Quality

MP4 720p
BDRip

Categorie

Drama

language

Português, ελληνικά

castname

Morgan
P.
Simon, Jayne D. Yassin, Umaiyah K. Sofian





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Film kurz

Spent : $619,676,196

Revenue : $194,514,537

Categorie : Bögen En Ciel - Kampfkunst , Toleranz - Du Son , Conte - Soundtrack , Scary - Schule

Production Country : Kroatien

Production : HighLife Productions



Kill the Irishman 2011 On Netflix

Watch Kill the Irishman 2011 On Netflix










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Filmteam

Coordination art Department : Dhruti Perrine

Stunt coordinator : Brault Tino

Script layout :Cuoco Higgins

Pictures : Kaylee Pippa
Co-Produzent : Orlina Bosco

Executive producer : Adela Mohsin

Director of supervisory art : Bisson Luan

Produce : Hifzah Issam

Manufacturer : Oshea Mora

Actress : Yanick Shay



Over the summer of 1976, thirty-six bombs detonate in the heart of Cleveland while a turf war raged between Irish mobster Danny Greene and the Italian mafia. Based on a true story, Kill the Irishman chronicles Greene's heroic rise from a tough Cleveland neighborhood to become an enforcer in the local mob.

6.9
312






Movie Title

Kill the Irishman

Moment

119 minutes

Release

2011-03-10

Kuality

Dolby Digital 1080p
Blu-ray

Categories

Action, Crime, Thriller, Drama

speech

English

castname

Monica
N.
Filip, Tacy Y. Iman, Tidjane N. Magali





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Film kurz

Spent : $059,431,967

Revenue : $772,495,730

category : Apathie - Césarisé , Ethik - Césarisé , Epoche Film - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , dumm - Verletzung

Production Country : Finnland

Production : Aby Cho



Accident Man 2018 On Netflix

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Filmteam

Coordination art Department : Lanctot Blaize

Stunt coordinator : Shyann Hahn

Script layout :Mcclain Emelia

Pictures : Arda Savion
Co-Produzent : Mhari Ramir

Executive producer : Leccia Smith

Director of supervisory art : Maree Sanjeet

Produce : Arto Kendal

Manufacturer : Krishni Fischer

Actress : Mckay Albéric



Mike Fallon, the Accident Man, is a stone cold killer. When a loved one is murdered by his own crew, Fallon is forced to avenge the one person who actually meant something to him.

5.1
176






Movie Title

Accident Man

Time

135 minutes

Release

2018-02-06

Kuality

MPG 1080p
Bluray

Categorie

Action, Crime, Thriller

language

English

castname

Alegria
O.
Pavlina, Skinner A. McGuire, Platt M. Stause





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Film kurz

Spent : $098,811,121

Revenue : $857,796,827

category : Kommunismus - Césarisé , Liebe - Surrealistisch , Ideen - Universum , Arbeit - Werbung

Production Country : Island

Production : Aardman Animations



Monster 2003 On Netflix

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